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Rabu, 31 Agustus 2011

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In-depth coverage of the major Visual Studio 2015 revamp

Professional Visual Studio 2015 is the leading pro's guide to new and upgraded features of Microsoft Visual Studio. With a unique IDE-centric approach and deep dive into the software's many nooks and crannies, this book will bring you up to speed quickly on everything Visual Studio 2015 has to offer. Whether you're new to Visual Studio or just upgrading, you'll appreciate in-depth, professional explanation of updates, features, and support. Visual Studio 2015 is packed with improvements that increase productivity, and this book walks you through each one in succession to help you smooth your workflow and get more accomplished. From customization and the interface to code snippets and debugging, the Visual Studio upgrade expands your options — and this book is your fast-track guide to getting on board quickly.

The Visual Studios 2015 release fixes a number of issues that deterred many professionals from adopting VS 2013. Old products have been retooled, and new features are aimed at productivity enhancement and fixes to UI. Fully aligned with VS 2015, this guide walks you through the changes and helps you incorporate helpful new features into the way you work.

Discover new options for themes, displays, and settings
Learn the new workflow and shortcuts to ASP.NET code
Master improved debugging and unit testing support capabilities
Exploit changes to Windows STORE apps, phone apps, Azure, and SharePoint

Sales Rank: #57150 in Books
Published on: 2015-09-08
Original language: English
Number of items: 1
Dimensions: 9.30" h x 2.30" w x 7.40" l, 4.82 pounds
Binding: Paperback
1320 pages

From the Back Cover

Master Visual Studio 2015

The Visual Studio 2015 release includes significant new features geared toward enhancing your productivity, as well as new tools focused on cross-platform development. This comprehensive, programmer-to-programmer guide covers all the improved developer tools and brings you up to speed on the changes. Its unique IDE-centric approach reveals Visual Studio's many secrets, making it the perfect reference for both new developers and those upgrading from earlier versions. You will discover enhanced theme options, customization possibilities, shortcuts for generating ASP.NET code, improvements to app development, and much more–and be ready to apply them all.

Professional Visual Studio 2015:

Walks you through all the changes and improvements in Visual Studio 2015, including Visual Studio 2015 Enterprise Edition
Introduces new options for displays and settings as well as improved diagnostic, debugging, and unit testing support
Explains how to take advantage of significant changes to the XAML editor for any XAML-based application
Demonstrates the latest tools for designing, packaging, and debugging Web applications, including ASP.NET vNext
Teaches you to create universal apps that share a single code base and target both phone and tablet
Covers the improvements and additions to Mark Azure™ tools, including subscription integration with the Server Explorer

Wrox Professional guides are planned and written by working programmers to meet the real-world needs of programmers, developers, and IT professionals. Focused and relevant, they address the issues technology professionals face every day. They provide examples, practical solutions, and expert education in new technologies, all designed to help programmers do a better job.

Visit us at wrox.com where you have access to free code samples, Programmer to Programmer forums, and discussions on the latest happenings in the industry from around the world.

About the Author

About the author

Bruce Johnson is a partner at ObjectSharp Consulting and a 30-year veteran of the computer industry. For nearly 20 years, his projects have been on the leading edge of Windows technology. Bruce is a Microsoft Certified Trainer, a Microsoft MVP, and a frequent speaker at conferences and user groups. He has written several Wrox guides as well as columns and articles for numerous magazines.

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21 of 21 people found the following review helpful.
Really excellent, must have reference
By Pam
This is a really great book about Visual Studio 2015, by far the best on the market; I know because I also bought the other two books available in December 2015.

This book tells you EVERYTHING about Visual Studio for beginner to pro, from Professional and Enterprise version info, for new user to experienced professional who is upgrading to 2015; unlike competitors books that don't go into sufficient detail. It has whole chapters on unit testing, documentation, templates, setup for various application types and database types, plus much more. It is an amazing book. At over 1200 pages with smaller type, you probably won't read straight through but pick the pieces you really want.

Highly recommended, must have book. Start by sitting down with it at your computer to set up Visual Studio 2015 to best meet your needs.

Visual Studio is a great tool that even has a quality free community version, and now supports many open standards, not just Microsoft products. Buy this book and download Visual Studio 2015, you won't regret it.

7 of 11 people found the following review helpful.
Great Reference Tool
By Billy R. Emery
If you have any questions regarding Visual Studio 2015, this book is for you. The book is detailed and comprehensive. It is a great reference tool. Keep it handle when using Visual Studio 2015 for answering questions or simply to browse through it to learn something new you didn't already know.

0 of 1 people found the following review helpful.
A must-have!
By Joel G. Dietrich
A must-have for any serious software author. Mandatory for anyone building C# applications...web, desktop, smartphone on any platform with any host OS.

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Sabtu, 27 Agustus 2011

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Published on: 1709
Binding: Hardcover

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Jumat, 26 Agustus 2011

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Manchester in 1991 is a town suffering under the weight of high unemployment and massive government budgetary deficits that is plunging the UK into a recession. To Daniel Crabtree, a struggling writer, it is the backcloth to his first novel, one that will see him become a famous published author. Living off mostly water and flour, Daniel has embraced penury into his life under the mistaken belief that many young artists have: one needs to suffer for success in art. But Daniel is a terrible writer. In the three years since signing on the dole, of every morning chastising his Irish singing neighbour for waking him from his sleep, and scrounging food from his close friend Henry Soperton, Daniel Crabtree has produced one short story. His heart is bereft of words as much as his pockets are of money.

It is a story of love, and how a poor starving man chasing a dream came to the understanding that amidst the clamour of life, the sound of loneliness is the most deafening of all.

Sales Rank: #1758265 in eBooks
Published on: 2012-12-31
Released on: 2012-12-31
Format: Kindle eBook

Review
Craig Wallwork has a strong and steady voice, well deserving your time and attention.
(Dan Fante)

About the Author
Craig Wallwork lives in West Yorkshire, England. He is an artist, filmmaker and writer. His short stories have appeared in many publications in the US and the UK. He is the author of the short story collection Quintessence of Dust, and the novels To Die Upon a Kiss and The Sound of Loneliness. Craig is also the fiction editor at Menacing Hedge Magazine.

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4 of 4 people found the following review helpful.
Discovering Lost Money in an Old Coat Pocket
By D. B. Cox
I suppose you could imagine the Craig Wallwork novel, The Sound of Loneliness, as an uncomfortable cab ride complete with potholes, gridlock, and one-way streets going the wrong way. The shock absorbers are shot all to hell and the driver is smoking a cheap cigar. But as the reader, you have to sit back, ignore the meter, and try not to anticipate the destination. A cushy ride from point A to point B is not on the mind of Mr. Wallwork. But you will certainly find the trip worthwhile.

In "The Sound of Loneliness," Craig Wallwork paints a dreary landscape where the protagonist, a would-be writer, struggles between ineptitude and delusion where he is never more than a bowl of soup away from being consumed by absolute destitution.

The main character, Daniel, is a not an endearing creation. He is an angry, conceited, arrogant, and sometimes violent young man. He has the soul of an artist, but lacks the talent.

Living hand-to-mouth, always down to nothing, feverish, reeling dizzy from hunger, Wallwork's narrator is part crank and part eccentric whose illusions of grandeur, and Holden Caulfield-like observations of the shortcomings of human nature seem to insure his failure in a society he loathes. He is the victim as well as the architect of his own misfortunes--impulsively driving himself to indulge in the most offensive and inappropriate public behavior.

Mr. Wallwork gets it right as he sets it down in dirty, realistic style, with prose both simple and rich. In concise, economically crafted sentences, he keeps the spotlight on the main character, Daniel, as the other characters in the book come and go acting, primarily, as foils for his disdain. Here, Wallwork truly explores human values through one confused young man's eyes. The deep hatred and bitterness that's the flip side of love is here in its most brutally tragic and truthful form. The author seems out to force readers to face these feelings in themselves, and sometimes it's so right on, it hurts.

The repulsive odors and grubby feel of various settings (Daniel's cheap apartment somewhere in Manchester, England, and Uncle Billy's dank, smelly dwelling) is damn near palpable. You're afraid that if you poke at the page the blood will run and you'll find yourself in an empty belly amidst gas bubbles and lumps of groaning entrails. Not many books bring you into such close physical contact with a character. Through the protagonist's nostrils you will inhale his own noxious body odors. After reading a few chapters, you'll probably find yourself craving some fresh air.

Wallwork manages to explore the psychological side of the main character as he records the whims and the most perverse quirks of his behavior. The indirect focus of this novel might be the one person who is not very often seen--the wielder of the hammer who has shaped the main character's personality. The reader might be left with the obvious question: "What is the sound of loneliness?" I think the answer might come in the final chapter of the book. I believe that it resides inside the scream that rises above the rows of white marble and black granite tombstones of an unkempt cemetery: "Just once, would you be a father!"

In a writing world filled to overflowing with Zombies, Vampires, Werewolves, Wizards, and a huge cast of other miscellaneous fantasy and horror creatures, reading a novel that comes from a "real place" is as fine as discovering lost money in an old coat pocket. Thank you Mr. Wallwork.

1 of 1 people found the following review helpful.
Compulsively intimate & Original
By Jody
Superbly written tale!
Terrific Book!
Brilliantly Unique!

Daniel Crabtree is a magnificence main character. He is 'both' the antagonist and protagonist in his own life; which much more closely resembles real life.
The 'feelings', (anger, disappointment, frustration, hopelessness, hope, sadness, etc.), we experience through Daniel are universal --yet somehow Daniel's feels a little more 'extreme'.

I appreciate that the author never asks the reader to feel sorry for Daniel. In fact, you fall in love with *Danny*,(while at the same time want to smack him).

This is the first book I've read by this author. He gives a modern fresh voice and perspective to contemporary fiction. I love it!

People who enjoy J.D. Salinger might really enjoy this book. I think 'everyone' would enjoy it.

Its amusing --and entertaining --as well as powerful!

SIDE NOTE: Being an American ---I got a kick out of the way Craig Wallwork writes. I understand he lives in West Yorkshire, England. (its fun to read his 'SLANT' on words which just don't feel *American-style*).

Lines I smiled at were simple ones like this:
1)"I was *SAT* on the bench, eating a cheese and onion pasty, when she walked past."
2) "Nar fook off out of me sight".
3) "it later to paper".
4) "Take off your fooking shoes".

One of my personal favorite parts of this book was when Daniel was making up a story about a humble pie fitter for his Uncle Billy. (A Story of Mistaken Identity). Soooooo many charming moments on every page.

ANOTHER SIDE NOTE: About the COVER of this book! Its AWESOME!! I just want to keep looking at it!
I kept looking and looking and looking....
THEN...
made a little discovery:
(note I have great close-up vision for a 60 year old fart) --I do not need glasses yet.

I kept trying to read WHAT BOOK was the guy on the cover of "The Sound of Loneliness" reading??

Well, its "The Grapes of Wrath". How PERFECT is THAT!!!!

Here's a quote by John Steinbeck which I think fits 'both' "The Grapes of Wrath" and "The Sound of Loneliness":

"In the eyes of the hungry, there is a growing wrath"

FABULOUS BOOK!!!
Congrats to the author!

0 of 0 people found the following review helpful.
Pints and Poseurs at The Flemish Weaver
By Gordon T. Highland
Daniel Crabtree reminds me of Ignatius P. Reilly. He's a self-professed writer who doesn't write, putting all his faith into the acceptance of his lone short story and its journey to non-publication, whilst deriding everything else in his path. Believing that solitude and suffering are the only way to create good art, he subjects himself to impoverished living on the dole, stringing his family along with predictions of his impending literary fame and its lifestyle accoutrements. The guy's quite an ass, though his descriptions of his world are bleakly hilarious and vile.

Wallwork's clever narration outshines his character's abilities, even as he's written in first person. That's my favorite thing about this book, that Crabtree is surrounded by colorful characters and events — if only the character could apply such skillful rendering to his own storytelling in the metadiegetic in-book writing. He does become more human and relatable over the course of the story as he allows himself to forge a couple of meaningful relationships that he knows are ultimately doomed. "Failure is the chisel that shapes a person," as the author says.

There isn't a ton of plot in the book, mostly relying on description, and the pacing races a bit in the third act that I would like to have seen expanded more, but overall I found this very enjoyable with a grim sense of humor and some damn fine writing, which I've come to expect from having read the author's short stories.

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Sabtu, 20 Agustus 2011

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Sales Rank: #5081157 in Books
Published on: 1980
Number of items: 1
Binding: Hardcover
161 pages

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Sabtu, 13 Agustus 2011

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Chapters in the book discuss the various aspects of American cultural life such as religion, gender and sexuality, and regionalism. Updates and revisions include:

discussion of Barack Obama’s rise to power and the end of the ‘Bush Years’

consideration of ‘Hemispheric American Studies’ and the increasing debates about globalisation and the role of the USA

up-to-date case-studies, such as The Wire and Nurse Jackie,

more on suburbia, the Mexican-border crossing, the Twilight phenomena etc

updated further-reading lists.Accompanying website.

American Cultural Studies is a core text and an accessible introduction to the interdisciplinary study of American culture.

Sales Rank: #1001230 in Books
Brand: Brand: Routledge
Published on: 2011-12-17
Original language: English
Dimensions: 9.00" h x 6.00" w x .75" l, 1.25 pounds
Binding: Paperback
368 pages

Features

Used Book in Good Condition

Review

Praise for the first edition:
'Something of a godsend ... As a teaching resource this book is second to none ... Achieves levels of multiplicity rarely, if ever, reached by others.' –�Borderlines: Studies in American Culture

About the Author

Neil Campbell is Professor in American Studies at the University of Derby, UK. His recent publications include The Rhizomatic West: Representing the American West in a Transnational, Global, Media Age (2008), The Cultures of the American New West (2000) and The Radiant Hour: Versions of Youth in American Culture (2000).

Alasdair Kean is a lecturer in American Studies at the University of Derby, UK.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Class required text, but it wasn't bad!
By Pour Boy
I had to buy this for my introductory American History course at uni, and though it was a bit of a pain, there was always something interesting whenever we had a required reading.

2 of 3 people found the following review helpful.
Cutting edge look at America from Brits
By Jedgar Tom Heaver
This is an exploration of various aspects of US life that acknowledges that it seeks to examine American history from the new perspective. That being in the last 20 or 30 years history seen simply as the story of the elite class is not sufficient. There is a fair amount of jargon but wading past it does provide some good basic insights.

0 of 0 people found the following review helpful.
Great service
By Nam
1. I choose this rating. Because, the product that I ordered come out as I expected
2. I like this product
3. I would recommend this to my friends who also like to read about the American culture

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Rabu, 10 Agustus 2011

[Q965.Ebook] PDF Ebook Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner

PDF Ebook Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner

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Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner

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Recording Conceptual Art features a highly provocative series of previously unpublished interviews conducted in early 1969 with some of the most dynamic, daring, and innovative artists of the tumultuous 1960s. The nine individuals—eight artists and one art dealer—are now known as major contributors to Conceptual art. These fascinating dialogues, conducted by Patricia Norvell, provide tantalizing moments of spontaneous philosophizing and brilliant insights, as well as moments of unabashed self-importance, with highly imaginative and colorful individuals.

Sales Rank: #2119121 in Books
Published on: 2001-02-15
Original language: English
Number of items: 1
Dimensions: 10.03" h x .46" w x 7.01" l, 1.12 pounds
Binding: Paperback
177 pages

Review
"For me, the beauty of these interchanges lies in their historical and philosophical innocence. In reading through them, we are back at a time-1969-when no one knew the future, even if, in a way, it was already present in Szeemann's exhibitions. The book is delicious for its purity, like water taken from somewhere deep in the earth, untouched by the modern world."--"Artforum

From the Inside Flap
"Reading the interviews gathered by Patricia Norvell more than thirty years ago is like opening one of the time capsules Steven Kaltenbach made at around the same time and discusses here. It makes one feel nostalgic for these uncompromising times-so much has changed, so fast! One should be immensely grateful to Norvell for her undertaking and, paradoxically, for the long delay in the publication of these conversations: nothing could have better highlighted the candor and commitment of the artists who participated in this project than their willingness, long after the fact, to let their youthful voices be heard unedited. This is a precious document that casts a fresh light on the early history of Conceptual art, revealing all the doubts and uncertainties its practitioners had to overcome."—Yve-Alain Bois, Harvard University

"These interviews, full of the rich texture and confusion of an art movement at its inception, began as a "process piece" in mid-1969 when formalism still seemed worth defeating. The artists, tired of talking about turpentine, struggle to extend the rhetoric of form, and as they do so, reveal their roles as theorists and philosophers of a newly cerebral art, Conceptualism. Alberro's helpful introduction frames both Norvell's provocative questions and the surprising responses in a useful book that continues the process of historicizing 20th century art."—Caroline Jones, author of Machine in the Studio

"The contemporary interviews collected in this volume shift the ground on which conceptualism in the United States should be understood. The middle months of 1969 were a time of artistic and social unease when artists were anxious to test-and occasionally to declaim, as the interviews demonstrate-ideas in conversation with a sympathetic interlocutor. Patricia Norvell proves to have been an ideal listener. She knew conceptualism well enough to keep the conversations honest, but not so well as to make the artists defensive and wary. The artists had things to say, and were not afraid to put themselves out on a limb."—John O'Brian, Professor of Art History, University of British Columbia

"A key document of the late 1960s avant-garde."—James Meyer, Emory University

"[This book is] a reminder that the project of Conceptual art and its artists' reasons for refusing the object of art were far from monolithic. The differences that emerge in the interviews are spoken in voices that are still fresh and particular, but each voice and position is tied to the moment of the late 1960s, from stoned mysticism to philosophical idealism, from political optimism to materialist critique."—Howard Singerman, author of Art Subjects

From the Back Cover
"Reading the interviews gathered by Patricia Norvell more than thirty years ago is like opening one of the time capsules Steven Kaltenbach made at around the same time and discusses here. It makes one feel nostalgic for these uncompromising times-so much has changed, so fast! One should be immensely grateful to Norvell for her undertaking and, paradoxically, for the long delay in the publication of these conversations: nothing could have better highlighted the candor and commitment of the artists who participated in this project than their willingness, long after the fact, to let their youthful voices be heard unedited. This is a precious document that casts a fresh light on the early history of Conceptual art, revealing all the doubts and uncertainties its practitioners had to overcome."--Yve-Alain Bois, Harvard University

"These interviews, full of the rich texture and confusion of an art movement at its inception, began as a "process piece" in mid-1969 when formalism still seemed worth defeating. The artists, tired of talking about turpentine, struggle to extend the rhetoric of form, and as they do so, reveal their roles as theorists and philosophers of a newly cerebral art, Conceptualism. Alberro's helpful introduction frames both Norvell's provocative questions and the surprising responses in a useful book that continues the process of historicizing 20th century art."--Caroline Jones, author of "Machine in the Studio

"The contemporary interviews collected in this volume shift the ground on which conceptualism in the United States should be understood. The middle months of 1969 were a time of artistic and social unease when artists were anxious to test-and occasionally todeclaim, as the interviews demonstrate-ideas in conversation with a sympathetic interlocutor. Patricia Norvell proves to have been an ideal listener. She knew conceptualism well enough to keep the conversations honest, but not so well as to make the artists defensive and wary. The artists had things to say, and were not afraid to put themselves out on a limb."--John O'Brian, Professor of Art History, University of British Columbia

"A key document of the late 1960s avant-garde."--James Meyer, Emory University

"[This book is] a reminder that the project of Conceptual art and its artists' reasons for refusing the object of art were far from monolithic. The differences that emerge in the interviews are spoken in voices that are still fresh and particular, but each voice and position is tied to the moment of the late 1960s, from stoned mysticism to philosophical idealism, from political optimism to materialist critique."--Howard Singerman, author of "Art Subjects"

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By nicolas carrasco diaz
just for the smithson interview this volume is important

See all 1 customer reviews...

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Selasa, 02 Agustus 2011

[S382.Ebook] Ebook Free Kill for Me, by Karen Rose

Ebook Free Kill for Me, by Karen Rose

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Kill for Me, by Karen Rose

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New York Times bestselling author Karen Rose delivers another pulse-pounding suspense novel that ties into SCREAM FOR ME.

Five teenage girls have been murdered. One survived, and only she can reveal the secrets of a disturbing ring of people who kidnap and sell teenage girls on the black market. But those responsible for the crimes will do whatever it takes to maintain her silence.

Susannah Vartanian and Luke Papadopoulos have both sworn to stop the murderers for their own reasons. Susannah, the sister of the hero in SCREAM FOR ME, suffers from a mysterious past that is connected to the sinister black market. Luke is an investigative agent and a computer expert who refuses to let another child predator get away.

Susannah and Luke are instantly attracted to each other, but their troubled pasts prevent them from immediately acting upon their feelings. The case will lead them to the shady realm of Internet chat rooms, where anyone can mask their identity. As Susannah and Luke draw closer to the criminals, they discover a chain of deception so intricate they don't know who to trust. Susannah and Luke find comfort in one another's arms, but the killers are ruthless and determined, and will take extreme measures to insure their anonymity and keep their business intact.

Sales Rank: #247558 in Books
Brand: Grand Central Publishing
Published on: 2009-07-01
Original language: English
Number of items: 1
Dimensions: 7.00" h x 1.25" w x 4.25" l, .60 pounds
Binding: Mass Market Paperback
560 pages

Features

Great product!

From Publishers Weekly
Bestseller Rose concludes her thriller trilogy that began with Scream for Me and Die for Me with a bang. In Dutton, Ga., where 13 years earlier a secret rape club flourished among the bratty sons of the towns elite, an elderly monster known only as Charles and his depraved minions steal teenage girls to sell to perverts in a lucrative human trafficking scheme. Hot on their trail are the Georgia Bureau of Investigations special agent Daniel Vartanian; his partner, special agent Luke Papadopoulos; and his long-suffering sister, Susannah Vartanian, a New York City ADA. A botched raid spurs the murders of five girls and the removal of abused assets to another hiding place. Two courageous teen survivors provide the GBI with help, but a mole in the GBI working for Charles complicates the takedown. Rose juggles a large cast, a huge body count and a complex plot with terrifying ease. The sweet romance between Luke and Susannah provides welcome relief from the many scenes of brutality. (Feb.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Susannah Vartanian, the troubled heroine of Die for Me (2007) and Scream for Me (2008), returns in another gripping thriller. Again teaming up with Georgia Bureau of Investigation special agent Luke Papadopoulos, her best friend, Susannah puts her own life in danger to catch the people who are kidnapping teenage girls and selling them to the highest bidder. Readers familiar with the first two Vartanian novels are well aware of Susannah’s deeply troubled past, and here the author explores in even greater detail Susannah’s family history and the incidents that scarred her for life. This is a gritty, unsettling novel in which Susannah confronts not only some especially nasty villains but also her own inner demons. The novel appears to bring the Vartanian trilogy to a close, but there are many nooks and crannies of Susannah’s life left to be explored. High reader demand could easily lead to more volumes in the series. --David Pitt

Review
"Rose paints her characters with a flesh and blood brush, bringing life to their every word and gesture. There could well be a new thriller sheriff in town."―Lorenzo Carcaterra

Most helpful customer reviews

1 of 1 people found the following review helpful.
I like to keep up with each and every character (writing ...
By M. Nichols
Karen Rose has WAY TOO MANY characters in her stories. I like to keep up with each and every character (writing notes on them on paper). Many of the characters are mentioned only once and have nothing to do with the developing story and I end up with a list with many names that don't even matter. The sex part is more explicit than I care to read about, although it doesn't go on and on - but the buildup is there throughout.

0 of 0 people found the following review helpful.
Five Stars
By Kindle Customer
Good reading

12 of 12 people found the following review helpful.
Not crazy about this one
By book lover
I usually love Karen Rose's books, but this one just didn't hold my interest. Usually I read a good book in about two days but I have been struggling with this one for over a week and I honestly don't think I am going to finish it, which is a shame because I am 3/4 of the way through. It just feels like too much of a struggle.

It is very well written, so that's not the problem and that's why I gave it 3 stars as opposed to 1. I just think there is too much going on. Too much killing. Too many characters. Too much to keep track of. I'm having a hard time remembering who's related to who and who fits into the rapes that happened in the previous books and keeping track of who is killing who. It's just confusing me and making the book drag. It would help if I remembered the first two books, but I read them a long time ago and I am an avid reader so I've read many books in between. And I don't want to have to go back and read them again just to understand what is going on in this one.

Like I said, it's well written. I just think there is too much going on and it makes the book drag. I do look forward to her next one though.

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